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I so enjoyed this year’s Let’s Rock festivals in Leeds and Southampton. A massive thanks to the fans, the organisers, Oliver Heyward for stage production and to my stellar band:

Rob Harris – guitar
Dan Western – drums
Brian Henry – keyboards
Don Chandler – bass
Rob Digweed – sax

I so appreciate playing with great musicians and such lovely chaps. Thanks guys!

I’ll have a slightly different band for Rewind. Looking forward to our first show in Scotland next week.

Kind regardens,
Nick

The Beatles, Abbey Road studios, 1964. Photograph by Terry O'Neill.
The Beatles, Abbey Road studios, 1964. Photograph by Terry O’Neill.

I was a bit of a late starter with the Beatles. I got into them ten years after they’d stopped working together as a band. It was like shopping for clothes at Kensington Market in 1981, because that’s the only place where you could find classic items and that’s what it is with the Beatles – some of the greatest designs ever made. I was too busy surfing the waves of youth culture during my teenage years to discover them, but like cherished corduroy jackets with exactly the right sleeve lengths, lapel size and pigmentation, I got into the Beatles and now rarely take them off.

I can talk about them for hours, but it’s when they catch you out driving with gems like ‘Michelle’ and the sun’s shining and it’s spring and there’s bird song coming in through the window, it can set you alight again like your first time. Of course, it’s only one of many sublime songs, but it’s also the captured period of recording and culture that I see as completely unrepeatable. We can hear great live versions of those songs, but the recordings are simply magical. Ethereal. Almost otherworldly, like this stuff was being beamed down to them from other stars, galaxies and black holes. Maybe the Beatles wore black polo necks because they actually came through black holes. Maybe we all come from black holes, but that’s another blog.

It may be because I’m in creative mode at present – writing and recording new songs – that my antennae are picking up on melodies like an ant coming in through the bathroom window (which happened to our lounge windowsill lately). We gave them lemon juice, but they seemed to like it, so we warned them that they could be sent to the light, as this windowsill is very important for eating next to and generally feeling good about sitting in front of. They got the message and some coffee granules and even a strong ticking off and now the window is clear. Beetles are welcome, Byrds, Beach Boys, Bee Gees, Billy Joel, Blur, Beechwood Sparks, Burt Bacharach, Belle & Sebastian, BBC Symphony Orchestra, Beautiful South, Ben Folds Five, Bernie Taupin, Tony Bennett, Berlin Symphony Orchestra, Norman Blake, Blondie, Bobby Darin, The Blockheads, Boston Symphony Orchestra, David Bowie, Breeders, Broadcast, James Brown, Bronski Beat, Finn Brothers (ha!), Sam Browne, Jeff Buckley, Buddy Holly, Kate Bush, David Byrne, Gary Burton, and last but not least the very, very wonderful Bellamy Brothers. Most bands beginning with B are welcome, but things beginning with A, I need to investigate. In the Meantime, there’s no ants in the carpet (dirty little monsters) and the writing and recording is going great, thanks to all artists beginning with letters.

I have a feeling cinnamon is going to influence these new recordings in some small way, but that’s because I’ve just eaten a small cinnamon & walnut cupcake. Is cupcake a band? I wonder how many bands beginning with C appeal to these taste buds. Anyway, back to the Beatles. Great band. I love bands. I love towns and I love bands. I love this universe and even though it’s bonkers, I’d like to smack its little bottom as it gets on the coach for the next pop concert.

Nick

A lovely reunion in Key West with Mr Ian Shaw. Great to see him! I made Kite with Ian when we were just a pair of nineties nippers. Now things have channelled beautifully and we both have twitters More fun vicars! 20140108-203457.jpg To be flap packing my merry way around the bars and cafés of Hemmingway Central this late in life is ever so slightly elemental. Enjoyment is my middle name. Love is all around and it’s wet wet wet, just like the UK.

I met Flip outside the The Green Parrot listening to Bill Blue. Flip’s been coming here to listen to bands for twenty years and says that “everyone here is one human family“. Certainly feels that way – Key West is lovely and dinky. 20140108-203625.jpg Immense regardenings,

Nick

A photo posted by Sara (@mssarajohnson) on

The night of Sandra Dickinson’s 3 Nicks Charity Cook-Off began with a fantastic sunset. I attempted to Instagram it, but couldn’t quite do it justice. Later, I tried capturing my curry, but it was a bit blurred. Must have been the heat of the kitchen tension affecting my phone 😉 I took one blurred picture of Nik Kershaw and one clear picture of Nick Beggs throwing a rock shape, but couldn’t get the colour right. So, I didn’t Instagram those either. This isn’t a blog about not Instagramming pictures, by the way. It’s about the (old) spice of life.

Nik cooked a lovely beef bourguignon, Nick B cooked a lovely vegetable chili and I cooked a lovely Sri Lankan salmon curry. There’s cooking for two at home and then there’s cooking for 89. It’s quite something. This was the first time I’ve chopped up 10 enormous onions in one go, but thanks to our helpful assistants, I know now how to chop one properly.

My original recipe was based on Rick Stein’s Sri Lankan fish curry. Loved his programme. He was so passionate about curry and visited unpretentious local restaurants. I’ve only been to India once, but the programme has inspired me to visit again – this time to explore all the nooks and crannies and back yards like Top Cat.

Fortunately for this Nick, one of the chefs happened to be from Sri Lanka, and this helped give my curry a new coconut twist and transform it into something more authentic and fragrant than I’ve made at home. Tragically, I didn’t have my newly acquired spice grinder with me, so I didn’t crunch up my cinnamon sticks properly and had to pick all the bits out one by one. Treat others as you wish to be treated I say. I wouldn’t want big chunks of cinnamon bark in my mouth!

When our cooking time was up, we all had our pictures taken and began mingling with our lovely diners. I felt great in my apron – kept it on all night.

Bigger Than Mary, led by Mark Osmond (Sandra’s husband), who had been entertaining us all night, invited us up to play a few songs after dinner. First up was Nik with Wouldn’t It Be Good. I sang along during the choruses and it felt … good! Watching the chord structure unfold like an origami swan was fascinating. Ben, or was it James(?), handed me his fabulous Gibson SG. So, with some slight distortion on it, I launched into Fantastic Day like it was the very first time I sang it to my chocolate brown bedroom wall. I never tire of singing this song (unless somebody wants to play it one more time in rehearsals!) Nik might feel the same with I Won’t Let The Sun Go Down On Me, which he sang next. I’ll have to ask him, but when he began singing it, it smelt as fresh as a fantastic daisy. What a cracking chorus. I somehow managed to find myself singing the high harmony – must have sung along to it on the car radio at some point because it felt nice and easy. Nick B was Too Shy to play any of his own stuff, but suggested doing a funky jam which turned into Favourite Shirts, which turned back into a funky jam. What an amazing musician this man is! Ability, rhythmic synchronicity and passion, that’s what he is. It was an honour to play with these guys. It was our first time and totally unrehearsed, which always puts hairs on your chest.

The food was a three-way draw, but Nick B got the biggest cheer. Lots of money was raised for our charities and that will be a three-way split too.

Our charities:

MS Society
Down’s Syndrome Association
Alexander Devine Children’s Hospice Service

Kind regardenings,
Nick

Trumpets play
Trumpets play
I have five new species of flowers (songs) ready in the greenhouse (home studio) and I’m very happy with all of them. So, when we make it to a happy ten I will mix them all, master them all and share them all.

It’s a joy recording with my son, Oliver. We’ve worked together for years on live shows and it’s great to finally work together in our greenhouse. This flowerbed (selection of songs) is turning out to be quite a mixed media affair of left-field pop, not dissimilar to the direction I took with Kite. Anyway, whatever it is, it feels nice and natural. If it suddenly veers off and goes jazz, I’ll let you know. (I do want to do a jazz album next, by the way. It’s in me. It’s in there somewhere!)

Kind regardens,
Nick